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Friday

Daily Doses: Self Portrait Composition

 Pen Name: Xianjai
From: East Coast USA
Ethnicity: West Indian
Operation: Left-handed
Favorites:
Manga: Bride of the Water God
Anime: Last Exile
Cartoon: Samurai Jack
TV Show: Star Trek (All Series)
TV Drama: Dae Jo Yeong
Movie: Avatar
MMORPG: Allods Online
Video Game: Mass Effect & Skyrim
Author: V.C. Andrews & Thomas Hardy
Opera: Madame Butterfly & Aida
Play: Aida (by Elton John) & Phantom of the Opera
80s Song: “Within You” by David Bowie
Rock Star: Gackt
Pop Star: Utada Hikaru
Candy: Hi-Chew (All Flavors)

I’m not really so sure where to begin. I don’t think I’m anything interesting and I find it hard to describe myself. I was born in an era when the world was changing. I was born in the information technology era; when computers and the internet were taking over the world, and cell phones and mp3 players were becoming a part of everyday human life. I was born in a time when cloth diapers where becoming nonexistent and pampers where the new deal. I was born in the Clinton era, a time when video game companies exploded and Super Mario became a pop cultural phenomenon. Anyway, I was born to two nice people. My mom was a trekkie and my dad loved Battlestar Galactica. My parent’s personalities were almost completely different from each other. But, as their child I have a fusion of both. Like my mom, I can be compassionate, modest, and an otaku fanatic. Like my father, I can be stoic, easily conceal my personal feelings, and can be hard to read. I love Star Trek like my mom and my favorite TV character is Spock. Spock has taught me many things over the years, such as how to deal with incompetent people and how to control my emotions. I think Spock is a the most deep person I have analyzed...  “I object to intellect without discipline; I object to power without constructive purpose.”- Spock.  

My favorite hobby is writing (fiction to be exact). I love literary art; words coming together to make a symphony of passionate comprehension... I love music also, mostly symphonic metal (opera, classical, and metal all in one!). I played violin for a bit in high school (kinda sucked). Apart from that, I am a real otaku (maxed out fan girl). Some people think I’m a little offbeat; my interests don’t always go with “the norm”. I view the world much differently than my peers. I choose my friends carefully and I end relationships that I find harmful to me. For the people who are my friends, I love them deeply. I am interested in new people, but I will always maintain notions of insider vs. outsider. This has led me to commit to a group of friends and lovers who will be with me my entire life.





Thursday

Daily Doses: Why Do I Study African American Art?


             “While realistic and faithful depictions of human beings, nature and ideas, have been the main focus of western art, namely the art of and influenced by Europe, African American art steps “outside of the box” often times distorting the natural image of people, objects or places in order to represent a certain idea.” – Kirsten Harper. Throughout time, art has maintained a significant role in human culture. African American Art in its context is used for more than mere enjoyment. It is at times used to   symbolize various cultural practices, environments, and emotions. Its various meanings are inculcated into the African American people. Like the art of all peoples, the art of African Americans express values, attitudes, and thoughts of which are the products of their past experience. For that reason, the study of their art provides a way of learning about their history (Giblin, 1999, pg 1). 

            African American art is usually a personal expression of a mood or social commentary that is visualized through art medium. People who have been trained in the ways of western thinking have developed view points on beauty and form in art that greatly contrast to African American Art. Westerners or Europeans specifically, focus on realistic depictions of people and nature. African American art tends to depict an emotion or an emotional context, rather than realism. (Forna, A.) Beauty in western eyes is depicted as perfect form. The body is shown as how it would usually look, correctly and perfectly proportionate. In African American Art, the body is often used as a symbol.

            Whether or not a person likes art, they can benefit from the differential point of view presented in the work. In my opinion it is important to study African American art because it is an essential part of American History. As Henry Louis Gates stated from Africana: The Encyclopedia of African and African American Experience:

Art’s capacity to endow the artist, viewer, and others with self-affirmation and a sense of cultural authority became the benchmark for the BLACK ARTS MOVEMENT of the late 1960s and early 1970s. During this period African American writers, performing artists, and visual artists made black culture and the political struggles of black peoples worldwide their raison d’être. Slogans like “Black Is Beautiful” and “Black Power,” as well as jazz and soul music, became the soundtrack for works by painter Murry DePillars, mixed-media artist Ben Jones, and muralist Dana Chandler. Jeff Donaldson, a cofounder of the Chicago-based black artist collective AFRI-COBRA, not only added to this milieu with his own African textile–inspired, mixed-media works, but he wrote influential art manifestos and helped organize international expositions of black artists in Africa and North America.

            Two African American artists I will highlight are from the past and present: Mary Edmonia Lewis who was a sculpture from 1844-1907 and Purvis Young, who recently passed away. Edmonia Lewis was the first African American woman to gain fame and recognition as a sculptor on an international level. Purvis Young lacked a formal education in art, but he taught himself by reading and studying in libraries. His art work has been shown nationwide; often depicting many problems in the African-American community. Both of these people have undergone some trial to succeed as artist and both have had the benefit of their work becoming known to support the community.

            As modern art movements progressed and people diverted from “true form” and went into expressionism and surrealism, fondness for African American art emerged. African American art tends to feature nature as something that cannot be contained through simple visual means. The beauty of nature and humans must be acted out, undefined, and abstract.






Works Cited:
Forna, A. (Director). Through African Eyes: African Art. London: BBC
Giblin, James . "African History." The University of Iowa. N.p., n.d. Web. 07 Mar. 1999. .
Richard Powell, African American Art. Africana: The Encyclopedia of the African and African American Experience, Oxford University Press, April 2005.

Daily Doses: Why Am I A Biology Major?


When it comes down to the hard and dirt truth of why I am a part of this fabulous and legendary science department, my reasons stem from both last minute decisions and subconscious objectives. How did I go from wanting to be a com-technologist, to medical biologist, to an environmental biologist?
Despite making these transitions within a one year time period, my entire career aspirations were based almost entirely on Star Trek… You may not believe it, but I have been a devout trekkie since I was four years old; watching all five series in their entirety, watching all Star Trek movies, having fifty plus Star Trek universe books in my personal library at home, and joining several online trekkie communities. After analyzing my various motivations for career choices, I realize many of them have stemmed from my love of Star Trek, and the advanced exploration of the unknown. I wanted to be a communication technology major because I wanted to be a part of the technological revolution, designing and building marvelous inventions, many of which are featured in the Star Trek universe. I wanted to become a medical biology major because I wanted to be a nurse, much like Nurse Chapel (Dr. Lenard McCoy’s helping hand on the Enterprise). She was strong willed, compassionate, and had the hotts for Spock, who was the Enterprise’s chief Vulcan scientist...
            Finally, I am now an environmental biology/Ecology major, because I have such compassion for our dying earth, and I want to do what I can to heal it. This aspiration comes greatly from the movie Star Trek IV: The Voyage Home. It made me realize that even the smallest things we do against our earth could have major negative impacts for the future to come. In that movie, poachers killed two humpback whales in 1986; wiping out future generation whales (who could communicate with aliens using whale song), which in turn caused the destruction of mankind in the year 2286. The Enterprise had to go back in time to save the whales and bring them safely to the future (where humans were more environmentally conscious)… Perhaps our future can be the same.

Daily Doses (Book Review): Brainwashed - Challenging the Myth of Black Inferiority



“You’ve been misled, you’ve been had, you’ve been took” – Malcolm X. This is the opening quote to, what I believe, is a very powerful and inspiring book. Though this book was not on the reading list, I discovered it by means of another book called ‘Chains and Images of Psychological Slavery’ by Na’im Akbar, who Tom Burrell states he was inspired by. Both books touch on the unseen reasons as to why African-Americans remain disadvantaged. This book carefully looks into the history of the African-American community, and shows where our poverty, disunity, lack of opportunity, deep insecurity, lack of education, and self-hatred originated from, and how it is propagated today. As the quote suggests, we have been deceived and taken advantage of, possibly by our own ignorance.
Burrell opens up the book by letting us know that we as a people are greater than what we think we are, after which he questions why we still remain in a disadvantaged state, and why we as a people do not seem to be making a positive progress in American society.

“We are strong, survivors of the middle passage, the whip and the chains. We have survived centuries of terror, humiliation, vilification, and depravation. We are smart. Even when our literacy was illegal, we learned quickly, invented discovered, built, taught, and excelled against all odds. We are creative. Making our way out of ‘no way!’ and constantly birthing and rebirthing American art and culture.  So then why, after all this time, when calculating the achievement of the ‘American Dream’, are we still ranked at the bottom of almost every ‘good’ list and the top of every ‘bad’ list? Why despite our apparent strength, intelligence, and resourcefulness, do we continue to lag behind and languish in so many aspects of American life?” (Brainwashed Introduction page IX)

           
The answer of course becomes a broad and detailed discussion, linking back to our people’s mentality or consciousness. Burrell goes on to describe the answer to “cancer, that can’t be healed because it can’t be discussed honestly and openly.”  From this point in the book, Burrell begins to tell the story of how he gained personal insight into this problem, starting from childhood on up.
            Tom Burrell was born and raised in the south side of Chicago. He experienced poverty, just as many African-Americans do, and received government assistance. But despite this, he began to question the overall intent of government programs such as food stamps and public housing assistance because it represented an “unquestioned dependency” and to what he further described as “learned helplessness”, to which is he believed to be “reinforcements to a deep-seated, race-based inferiority”.
            Burrell launched a lucrative advertising agency (named Burrell Advertising), in which he promoted products and services not aimed at the African- American community. He began to give positive and realistic depictions of African-Americans in the media, a move which he described as “positive propaganda”. Becoming chief executive officer (CEO) of Burrell Communications, he made it his goal to “connect the dots from slavery and Jim Crow segregation to social and commercial propaganda” to fully understand the way blacks are viewed in America.
Burrell gave three points, taken from his extensive company’s research, which shed light on African-American psychosocial issues. According to Burrell, these issues stemmed from “circumstances arising from our experience as chattel slaves in America” (Brainwashed page XI).  His example points were:
·         Black preference for high end status brands was driven by the need to compensate for feeling of low self-esteem.

·         Our penchant for lopsided spending/saving ratio grew out of our need of immediate gratification, based on a chilling pessimism about an uncertain future.

·         We ‘over indexed’, spending disproportionate amounts in every product category related to cleanliness (from feminine douches and scented laundry detergents, to car deodorizers and household disinfectants), primarily to compensate for being historically stereotyped as being dirty.

“But in the propaganda against the Negro since emancipation in this land, we face one of the most stupendous efforts the world has ever saw to discredit human beings, and effort involving universities, history, science, social life, and religion” - W.E.B. Du Bois. As this quote suggests, what we have going against us is heavily entrenched into the fabric of our society.   As previously mentioned, Burrell linked the majority of the issues to their ‘genesis’ in American slavery.  He goes on to paint a broader picture, in which not only purchasing power is affected, but also relationships (social interactions) and personal lives. In 2004 Tom Burrell sold his advertising business, but did not abandoned what he called “real-life African-American cultural anthropology”. He wanted to find a way to utilize what he knew, about our people’s “brainwashing”…
How did this “brainwashing” come about? Burrell takes us far back into history, when slavery had its fresh start in the first American colonies of the 17th century. During that time, people had to grapple with the moral dilemma of slavery. According to Burrell, “They desperately needed a way to justify the gaping divide between their God-fearing, freedom loving rhetoric and the nation’s increasing addiction to cheap slave labor” (page XIII).  So what was the solution? In order for slavery to successfully survive, both master and slave were indoctrinated, generation after generation, that “blacks would always and forever be mentally, physically, spiritually, and culturally inferior.”
While moving forward in time, we as a people had to continually prove our equality, even to ourselves. Burrell states that in an effort to do this, we “unconsciously the master’s dream, adopted his values, moved into his neighborhoods, and danced to his tune” (page XIII). Burrell continues to say that while we were in survival/assimilation mode, and progress to what we thought was true advancement, we never considered the priced we paid by leaving behind our own communities and people.
Burrell goes on to say that “our insistence to think we have from negative propaganda is wishful thinking.”  He says that during of the black power movements of the 60’s and 70’s (I’m black and I’m proud), we paid “lip service” to the ideals of true change, but that was not backed up by the “psychological machinery” needed to make permanent change. Simply put, we cannot truly change the social conditions of our people unless we can change our mindset.
Now this is where Burrell changes his focus in the book to the present, which he begins by describing the newly elected, President Barack Obama, as one who “may have reached his Promised Land, but most black Americans are still wandering in the wilderness” (page XIV). What did he mean by that? Burrell begins to slowly reference to an “illusion”, or what is known as a false or misleading impression of reality. Burrell couples Barack Obama’s presidency with the “illusion of racial progress”, implying that President Obama himself is an illusion which propagates that we are now in a “post-racial era”, or that racism towards us has subsided.
How I understood this particular passage, was that racism changed, into what was now, subtle, behind the line attacks, rather than outright and obvious. To me, that is the most dangerous form because we as a people cannot see who or what our enemy is; in Burrell’s case it was raced-based lack of self-esteem. He states “Over time, I’ve learned that the root of the problem wasn’t what was being done to me- it was what I’d been brainwashed to feel about myself.”
Reading this book, I agree that our brainwashing still continues; in what many call ‘the slave mentality’. Burrell outlines what exactly this mentality entails, as it is very close to home… To continue he asks several fundamental questions, such as:

·         Why can’t we build strong families?
·         Why do we perpetuate black sexual stereotypes?
·         Why can’t we stick and stay together?
·         Why do we keep killing each other?
·         Why can’t we stop shopping?
·         Why are black and beautiful still contradictions?
·         Etc…  

According to Burrell’s outline, I believe the majority of us still do think like slaves; for some very simple facts such as our youth answering or calling each other ‘nigga’ or ‘ho’, our women having a distorted view of beauty, why we place entertainment careers above scholarly education, among many other things.  If we take a good look at what our media gives us, we see the stereotypes played out in plain sight, although we no longer see them as stereotypes but as facts… We see black women breeding babies without fathers, as if it is a normal thing to do. We see black men jailed in confined, for either violence or possession of contraband, as if it is a normal thing. We see the face of poverty and government assistance as black (even though poor whites get it too), and treat it as normal thing. We read about the high dropout rates of black students in school and we see it as a normal! What we are thinking is normal, is not really normal. To me, it is in fact an illusion.
This is what Burrell called a “paradox of progress”, and it is the most important message of the book. Burrell goes on in detail of how our brainwashing is still conducted today through many examples. Because Burrell seems to lay out our problems and the roots of the problems before us, he gives the reader a chance to critically evaluate society. Overall, through this evaluation, we could begin to rectify our problems.