“Miss honey please, she
don’t need no Barbie doll dipped in chocolate telling her what to do. What you
need is a head of hair that is coming from a for real place…” - The
Hairpiece, from The Colored Museum. To me, this excerpt was an exceptionally
profound piece because of its social and psychological implications. In fact,
it was from a piece of literature that explored many social and psychological
issues from the African American prospective through the use of satire. This
particular piece exposes a very fascinating aspect in African American culture
which chronicles the obsession women have with their hair. Through a seemingly
simple skit, the message runs deep. For this exhibit’s dissection, I chose the
dramatic element of theme, which I found to be self-identity (though not quite
obvious).
The Hairpiece highlights
two wigs which represent two aspects of perceived beauty. The woman torn
between the wigs is a black woman who is bald from over processing and ruining
her natural hair, as revealed by Lawanda’s line “She done fried, dyed, de-chemicalized…” The wig named Janine is
afro-textured, kinky and thick, while Lawanda is long and straight European
type hair. Janine uses a series of double entendre to describe herself as
having the attitude of resistance with a “healthy
head of kinks” and not about to submit or be “hot-pressed into surrender.” Lawanda interesting denounces her by
saying “the last time attitude worked on
anybody was 1968…” the exact year the Civil Rights Act was passed due to
the hard campaign for equal rights. Later Lawanda tells Janine that she could
never compete with her, calling her common and trash. Janine retaliates by
calling Lawanda “synthetic” or fake,
bringing on the question of what is considered real and non-real aspects of
beauty. Ironically during the time
leading up to the Civil Rights Act being passed, more African Americans began
to accept their own racial identity and renewed their pride by embracing afro-centric
ideas and natural beauty. To demonstrate this, many people began wearing Afros,
or picked out hair, and African inspired patterns and garb to show their
non-conformity to the white standard of beauty. But after this era of change,
things started to regress back to where they were initially… I strongly believe
that through this piece, George C. Wolfe was opening up an opportunity for his
views to truly question themselves about the subject of self-identity.
By
bringing up the past, George C. Wolfe opened up an almost forgotten history. The theme of hair has been affecting African
American/Black culture since our race’s freedom and gradual entrance into
American society. And since those times, hair type and texture (along with skin
tone) has been at the heart of debate when it came to defining beauty and
class. Interestingly, it was even a means to cause division and separation
amongst our own race. Why was this the case? For centuries, blackness or
anything that could be equated to the black race, such as thick kinky, coily,
and tightly curled hair, dark skin, big or full lips, bigger or broader noses,
and curvy body types where shunned by whites and even some blacks because they
were unique and different aspects human appearance, and because of these
differences, considered ugly or inferior by the dominating race. People who had
lighter skin and 'straighter' hair textures were socially embraced, and had a
chance at upward mobility. Since that
time up until now, the dominating media’s image of female beauty is of a light
skinned woman with long, straight hair. Even in what is considered “black
entertainment” such as on music videos and magazines like Ebony, the majority of the woman, if not all, have long, straight
hair, usually by means of relaxing and weaving. It is rare that we ever get to
see a black woman portrayed in the media with her natural afro textured hair or
with darker toned skin than the common brown. In fact, people with darker skin
and natural hair styles or with braids or twists her portrayed in the media as
poor or ignorant. From any early age this idea of beauty is instilled into
young girls by their mothers and grandmothers, who have been indoctrinated by
the media’s view of beauty.

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